Tag Archives: CFP

CFP: Station Eleven and Twenty-First-Century Writing / Deadline: 30 April, 2017

Featured image by Nathan Burton. Reproduced with the artist's permission. Since its publication in 2014, Canadian author Emily St John Mandel’s Station Eleven has attracted enthusiastic critical responses. This post-apocalyptic novel won an Arthur C. Clarke Award for Science Fiction in 2015 and was shortlisted for many other awards, including the National Book Award, the […]

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CFP: Utopia at the Border / Deadline: Spring, 2017

OLH Guest Editors Dr David M. Bell (Sheffield), Dr Nathaniel Coleman (Newcastle) and Dr Kenneth Hanshew (Regensburg) have recently announced their call for contributions for the fourth symposium of the Leverhulme-funded Imaginaries of the Future network. The symposium, which will be held at the University of Regensburg on 20-22 September 2016, will interrogate the relationship between utopia(nism) and borders. Papers, […]

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CFP: New Voices in Jewish-American Literature / Deadline: 16 September, 2016

The retirement of Philip Roth in 2012 signifies a definite break with the past, the silencing of one of the last living links with the Jewish generation that dominated post-war American literary culture (Saul Bellow, Bernard Malamud, Isaac Bashevis Singer et al.). This does not, however, mean the end of Jewish-American literature. Recent years have […]

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CFP: Powering the Future: Energy Resources in Science Fiction and Fantasy / Deadline: 1 July, 2016

The recent rise of the interdisciplinary subfield of “Energy Humanities” as a prominent critical endeavour has seen an efflorescence of academic and cultural production from around the world focussing on the crucial topic of energy resources. A major spur for this work is, of course, the pervasive anxiety of late environmentalism in the face of […]

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CFP: From TV To Screen: The Critical Relationship Between Popular Television Programmes and their Transition to Film / Deadline: 3 June, 2016

The transition of popular television programmes to film is a familiar route, but one that has had mixed results. The list of examples is extensive, from The X Files and Sex In The City, to The Fugitive, Doctor Who, Star Trek and a host of ’70s British Sitcoms, and most recently, The Man From UNCLE […]

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CFP: Authors, Narratives, and Audiences in Medieval Saints’ Lives / Deadline: 8 April, 2016

The composition of saints' lives in medieval literature was more than an act of devotion. Alongside allowing their authors to explore and express their faith, the writing of saints' lives provided opportunities to explore subjects such as the foundation myths of religious communities, travel and exploration, and gender and sexuality. Saints' lives were also an […]

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CFP: Mnemosyne / Deadline: 1 November, 2015

The Open Library of Humanities – gold open-access, peer-reviewed, multi-journal library – seeks a broad range of contributions from scholars across the disciplines of art history and visual studies for their inaugural issue on visual culture. This special issue invites contributions in the spirit of Warburg’s Mnemosyne Atlas, exploring the memories, afterlives, and reanimations of […]

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CFP: The Abolition of the University / Deadline: 1 March, 2016

In 1968, Ngũgĩ wa Thiong’o and his colleagues at the University of Nairobi called for the abolition of the English department. They attacked an enduring colonial legacy and envisioned an intellectual renaissance in Africa. Conversely, in recent years, many departments have found themselves “abolished” for another reason: the neoliberal rhetoric of financial sustainability and austerity, […]

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New York Cabs

CFP: American Literature and the Transnational Marketplace / Deadline: 1 August, 2015

The last fifteen years have seen substantial changes in the way scholars have engaged with US literature and culture. In particular, the rise of two methodological paradigms, TRANSNATIONALISM and PRINT CULTURE STUDIES, have paved the way for exciting new approaches to key questions that have always been at the heart of the discipline: the relationship […]

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CFP: Multifocal and Collaborative Approaches to South Asian History / Deadline: 31 August, 2015

“Big picture” history is vulnerable to the distortion of the wide-angle lens and the grandiosity of the panorama. Microhistory has become the norm on account of offering fine-grained fidelity to “lived experience,” yet it can suffer from myopia and make a fetish of uniqueness, or overreach in attempts to generalize from parochial particulars. South Asian […]

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